Vitra Noguchi Freeform Sofa
Applying his sculptural sensibilities to the typology of a sofa, Isamu Noguchi completely redefined the form with this 1946 design. Along with its coordinated ottoman (sold separately), it evokes a group of smooth river rocks rendered in a comfortably upholstered, flowing composition. The elegantly organic design has a solid beechwood frame, natural maple or stained walnut legs, and removable upholstery covers in a variety of natural colors. This serene statement piece will easily become the centerpiece of any sitting area. Made in Germany by Vitra, a manufacturer of iconic modern furnishings that’s widely represented in MoMA’s collection.
At 15, Isamu Noguchi’s Art teacher declared that he'd “never be a sculptor.” Fortunately, he didn’t listen to that discouraging prediction. He went on to become an artist and designer whose work transcended stylistic silos, movements, and cultures. His propensity for overlooking labels and borders may have stemmed from his family: His Japanese father was a poet and his Scottish-American mother a writer. “I do not wish to belong to any school,” he said. “I am always learning, always discovering.” His wide-ranging work includes the gardens for the UNESCO Building in Paris and fountains for Tokyo’s Supreme Court Building. His collaboration with Herman Miller began when one of his designs was used to illustrate George Nelson’s article, “How to Make a Table.” That design became his iconic coffee table, introduced in 1947. 28 examples of his designs are included in MoMA’s collection, illustrating the breadth of his work across various media and styles.Â
Applying his sculptural sensibilities to the typology of a sofa, Isamu Noguchi completely redefined the form with this 1946 design. Along with its coordinated ottoman (sold separately), it evokes a group of smooth river rocks rendered in a comfortably upholstered, flowing composition. The elegantly organic design has a solid beechwood frame, natural maple or stained walnut legs, and removable upholstery covers in a variety of natural colors. This serene statement piece will easily become the centerpiece of any sitting area. Made in Germany by Vitra, a manufacturer of iconic modern furnishings that’s widely represented in MoMA’s collection.
At 15, Isamu Noguchi’s Art teacher declared that he'd “never be a sculptor.” Fortunately, he didn’t listen to that discouraging prediction. He went on to become an artist and designer whose work transcended stylistic silos, movements, and cultures. His propensity for overlooking labels and borders may have stemmed from his family: His Japanese father was a poet and his Scottish-American mother a writer. “I do not wish to belong to any school,” he said. “I am always learning, always discovering.” His wide-ranging work includes the gardens for the UNESCO Building in Paris and fountains for Tokyo’s Supreme Court Building. His collaboration with Herman Miller began when one of his designs was used to illustrate George Nelson’s article, “How to Make a Table.” That design became his iconic coffee table, introduced in 1947. 28 examples of his designs are included in MoMA’s collection, illustrating the breadth of his work across various media and styles.Â
Original: $17,000.00
-70%$17,000.00
$5,100.00Description
Applying his sculptural sensibilities to the typology of a sofa, Isamu Noguchi completely redefined the form with this 1946 design. Along with its coordinated ottoman (sold separately), it evokes a group of smooth river rocks rendered in a comfortably upholstered, flowing composition. The elegantly organic design has a solid beechwood frame, natural maple or stained walnut legs, and removable upholstery covers in a variety of natural colors. This serene statement piece will easily become the centerpiece of any sitting area. Made in Germany by Vitra, a manufacturer of iconic modern furnishings that’s widely represented in MoMA’s collection.
At 15, Isamu Noguchi’s Art teacher declared that he'd “never be a sculptor.” Fortunately, he didn’t listen to that discouraging prediction. He went on to become an artist and designer whose work transcended stylistic silos, movements, and cultures. His propensity for overlooking labels and borders may have stemmed from his family: His Japanese father was a poet and his Scottish-American mother a writer. “I do not wish to belong to any school,” he said. “I am always learning, always discovering.” His wide-ranging work includes the gardens for the UNESCO Building in Paris and fountains for Tokyo’s Supreme Court Building. His collaboration with Herman Miller began when one of his designs was used to illustrate George Nelson’s article, “How to Make a Table.” That design became his iconic coffee table, introduced in 1947. 28 examples of his designs are included in MoMA’s collection, illustrating the breadth of his work across various media and styles.Â
